So Fired Up front cover

So Fired Up back cover

Musicians:

Leon Medica - Bass, Background Vocals
Tony Haselden - Guitars, Lead and Background Vocals
Fergie Frederiksen - Lead and Background Vocals
Jim Odom - Guitars, Background Vocals
Rod Roddy - Keyboards, Background Vocals
David Peters - Drums, Percussion, Background Vocals

David Pack - Background Vocals on Turning Point and Carrie's Gone

So Fired Up

Songs (Written By):

  1. So Fired Up (R. Roddy, J. Odom, F. Frederiksen)
  2. Lifeline (R. Roddy, L. Medica, F. Frederiksen, T. Haselden)
  3. Let Me In (T. Haselden)
  4. Yours Tonight (T. Haselden, R. Roddy)
  5. Line On Love (T. Haselden)
  6. Carrie's Gone (F. Frederiksen, J. Odom, R. Roddy)
  7. Wait One Minute (R. Roddy)
  8. Turning Point (R. Roddy, T. Haselden, F.Frederiksen, J. Odom)
  9. Don't Take It Away (R. Roddy)
  10. Look Out (J. Odom, F. Frederiksen, R. Roddy, T. Haselden)

Producer: Leon Medica
Executive Producer: Dan Loggins
Production Assistant: Marlene Betters

Recorded in 1982 at Studio in the Country, Bogalusa, Louisiana
Engineer: Warren Dewey
Assistant Engineers: David Farrell, Gene Foster, and Bruce Irvine (L.S.)

Mixed at Capitol Records, Studio C Los Angeles, California
Assistant Engineers: Gene Wooley and David Cole

Mastered at Capitol Records, Los Angeles, California
Engineer: Wally Traugott

Art Direction and Design: Mike Doud
Photo Illustration and Concept: Paul Maxon
Back Cover and Sleeve Photos: Tom Gibson
Model: Miss Dizzy Heights

Management: Budd Carr, The Carr Company
Booking Agency: Monterey Peninsula Artists - Dan Weiner, Fred Bohlander, and Paul Goldman

Krewe of LeRoux:
Live Mixer: Charles Brady, Lighting Designer: Jeff Dennis, Stage Manager and Trucking: Dan Andrews W.G.R., Monitor Mixer: Lane Wootan, Driver: Gates Moore

Special thanks to: Hartley Peavey, Hollis Calvert, Mike O'Neill, and Mike Powers at Peavey Electronics; Dan Loggins, Berry Gross, Bill McGathy, and everyone at RCA; John T. Frankenheimer; Paul Tannen; Les Kaufman; Newton Elberson and Good Hope Printing; Danny Jaureax; Phil Ehart, Dave Austin, and The Music and Tennis Festival; Steve Johnstead

Equipment thanks:
LeRoux uses Peavey Amplification
David Peters uses Pearl Drums and Big Dave's Pro Hickory Sticks
Rod Roddy uses Korg Synthesizers
Tony Haselden uses Peavey and Custom Guitars by Strings and Things of Memphis
Leon Medica uses Peavey Basses and Strings
Jim Odom uses B.C. Rich Guitars

RCA Press Release

When Creole chefs combine a number of mouth-watering ingredients to form a rich gravy base, the resulting sauce is called a "roux." Hailing from Baton Rouge, Louisiana, the band known as LeRoux more than lives up to their name with a music that's strong, tasty and fulfilling.

So Fired Up is LeRoux's second album for RCA, following last year's Last Safe Place, which included the singles "Addicted" and "Nobody Said It Was Easy." Last Safe Place and their new album So Fired Up were both produced by bassist Leon Medica.

The members of LeRoux were playing together for some time before combining their talents as a formal band. Leon Medica, David Peters, Rod Roddy, Bobby Campo, and Jeff Pollard all worked in the house band at Studio in the Country, a major recording facility located in Bogalusa, Louisiana. Medica, a staff producer, led them in backing up such artists as Clifton Chenier and Clarence "Gatemouth" Brown. For a while, they would tour with Gatemouth half the week and devote the other half to their own music, eventually organizing as the Jeff Pollard Band. In 1976 they backed Brown on a tour of Africa sponsored by the United States State Department.

Tony Haselden was recruited as the band's guitarist shortly after the group was awarded their first recording contract in 1977. Changing their name to "Louisiana's LeRoux" (they used the State's name both for local identification and for legal reasons—another band was already using the name LeRoux), they released their debut album named after the group in 1978. A hit single, "New Orleans Ladies," made the national top 40 and climbed higher still in several markets. Subsequent albums were titled Keep The Fire Burnin' and Up.

In 1981, after building a solid reputation thanks to their albums and a tortuous touring schedule that had them on the road three quarters of each year, LeRoux—no need for "Louisiana's" any more—was signed to RCA.

The departure of two founding members, Jeff Pollard and Bobby Campo, to pursue other interests has resulted in the addition of a new lead singer and lead guitarist. Jim Odom, lead guitarist, is from the band's hometown of Baton Rouge. Jim attended Boston's prestigious Berklee School of Music on a scholarship sponsored by the jazz journal Down Beat. Back in Baton Rouge, Jim formed a Jazz-Rock fusion band that bears the distinction of being "...the first Asia. When the super group that had been put together decided that they wanted to use that name, they had to square things with us, because we were already registered with it."

Dennis "Fergie" Frederiksen, now LeRoux's lead singer, was living in Los Angeles when manager Budd Carr contacted him about auditioning for the opening spot in LeRoux.

Fergie hails from Grand Rapids, Michigan. He was on a gymnastic scholarship at Central Michigan University. "At the same time I was going to college, I was working in a band. I'd drive 99 miles to make a club date, and then have to be back in class at eight the next morning." Music won out, with Fergie moving to Chicago and joining a band called Trillion.

"Not only does the addition of Fergie and Jim extend the strength of LeRoux's already-powerful recorded sound and stage show, there's an added bonus," says Leon. "The fact that Fergie is a lead singer, and not someone who doubles on an instrument, focuses the band visually in a way we didn't have before. Of course, Jim's strength as a player will add its own dimension. We were looking for that kind of thing when we were auditioning musicians."

Past performances have proven LeRoux as highly regarded songwriters and as one of the most accomplished bands around, with a particularly strong following in the southeastern part of the country. Their television appearances include "Solid Gold" and their video of "Addicted" reached heavy rotation on MTV.

The future promises to be even more exciting. Leon speaks confidently of a "team effort that's really happening," and of LeRoux's "well-rounded chemistry."

And what could be more important to a tasty roux than the well-rounded chemistry of a diverse blend of proven Ingredients?