Session Years font cover

Session Years back cover

Musicians:

Carl Michaels - Lead Vocal
David Peters - Drums
Leon Medica, Dale Murray - Bass
Tony Haselden, Jeff Pollard, Rex Pearce - Guitars
Rod Roddy, Nelson Blanchard, Dale Murray - Keyboards
Bobby Campo, Mark Duthu - Percussion
Pete Verbois, Ernie Gautreau, Glenn Moreau, Ronnie Goodson, Chris Belleau, Bobby Campo - Horns
Bobby Campo - Chimes
Carrie Davis, Claudette Rogers, Cynthia Woodlief, JJ Johnson, Carl Michaels - Background Vocals
Dale Murray - Cowbell

Pete Verbois - Horn Arrangements
Wardell Quezerque - String Arrangements

The Session Years

Songs (Written By):

  1. Cajun Song (M. McDonald)
  2. Double Talk (R. Pearce, T. Duncan)
  3. Reach Out (D. Murray)
  4. I'm Gonna Prove My Love (D. Murray)
  5. Sweet Situation (R. Pearce, D. Murray)
  6. Pure Love (B. Stone)
  7. Eclipsed By Love (R. Pearce)
  8. Ain't No Easy Way (D. Murray)
  9. You Keep Me So Satisfied (R. Pearce, C. Dornier)
  10. You're The Woman In My Eyes (T. Haselden)
  11. I Got A Line On You
    (R. Wolfe)

Produced by Rex Pearce & Dale Murray

All songs were recorded and mixed at The Studio in the Country, Bogalusa, LA

1981 recording & mixing engineers: David Farrell & Eugene Foster
2010 recording & mixing engineer: Ben Murphrey

All songs were digitally mastered by Parker Dinkins for Master Digital.

LeRoux is a nationally prominent southern rock group that was elected to the Louisiana Music Hall of Fame in 2009. LeRoux takes its name from the Cajun French term for the thick and hearty gravy base (roux) that's used to make a gumbo. Louisiana's LeRoux (the first Capitol album) was a musical gumbo that blended various instruments and arrangements for some spicy, mouth-watering pop-rock. Their Southern anthem "New Orleans Ladies" was voted Song of the Century by Gambit Magazine (a New Orleans publication). LeRoux stayed with Capitol Records until 1981. In 1981 they recorded The Last Safe Place for RCA. This record produced the Top Twenty hit "Nobody Said It Was Easy" and the Top 5 AOR hit "Addicted." The group's final RCA record produced the MTV hit "Carrie's Gone."

In 1981 writer/producers Rex Pearce and Dale Murray started working on a project with the South Louisiana vocalist Carl Michael Dornier. Carl's stage name is Carl Michaels. Carl received substantial regional airplay with the Rex Pearce-penned ballad "You're The One Love Of My Life." As a result of that success more tunes were recorded. In 1981 it was decided to use LeRoux as the band on the new Carl Michaels tracks. Therefore, nine of the eleven tracks on this CD include the original members of LeRoux. Those members were Leon Medica (bass), Jeff Pollard (guitar), Tony Haselden (guitar), Rod Roddy (keyboards), David Peters (drums), and Bobby Campo (trumpet, flute, and percussion). These 1981 tracks were restored and transferred to a digital format. The results were astounding! There is an analog ambience, yet a fresh digital sound. This CD also contains two new tunes. The songs are "Eclipsed By Love" (a blues-rock song) and "Double Talk" (a timely tune with a New Orleans second-line beat). Four of the original LeRoux members played on the new songs. Those members are Leon Medica, Tony Haselden, David Peters, and Bobby Campo. Carl Michaels sang the lead vocals on the two new songs.

The first song on this CD, "Cajun Song," was written by former Doobie Brother Michael McDonald. It is a catchy tune with a definite New Orleans feel. "Reach Out" was written by producer Dale Murray and is a quality soulful ballad that includes a string section from the New Orleans symphony. "Pure Love" is a mid-tempo pop tune written by Bob Stone. Bob wrote the Number One hit for Cher, "Gypsies, Tramps, and Thieves." LeRoux's Tony Haselden wrote "You're The Woman In My Eyes." Tony wrote the Number One hit "That's My Story" by Collin Raye. This CD contains eleven great songs and is a must-have for LeRoux fans because the original band members played on nine tracks. The Carl Michaels vocals truly complement the great tracks played by LeRoux. Carl has the ability to sing blue-eyed soul and also nail a high-range pop tune with the best of them. This album, like the first LeRoux record, is also a musical gumbo that represents the very best of LeRoux's recording-session work at a time when the original group was at the peak of its popularity.

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